Premiering in 1968, SOUL! was the first nationally broadcast all-Black variety show on public television, merging artists from the margins with post-Civil Rights Black radical thought. Mr. SOUL! delves into this critical moment in television history, as well as the man who guided it, highlighting a turning point in representation whose impact continues to resonate to this day.

In hour 3, the Great Depression will devastate America’s economy and bring Black America to its knees. To survive, the Black community will use social networks to navigate the oppressive realities of Jim Crow. Host Henry Louis Gates, Jr. explores how social networks formed the cultural, economic and political foundation of the Civil Rights Movement which would transform America’s race relations.

Henry Louis Gates uses DNA detective work to solve family mysteries for actor Joe Manganiello and football star Tony Gonzalez— uncovering close relatives whose names they’ve never heard and compelling each man to rethink his own identity.

WE WERE HYPHY is a love song to the artists, dance, music, clothes, cars and people who came of age during the Hyphy Movement. The film is a fun, nostalgic experience for those lucky enough to experience Hyphy the first time around, and a tantalizing introduction to those discovering it now.

PBS HAWAIʻI is celebrating Black History Month. Stream new and beloved programs during the month of February, including FIGHT THE POWER: HOW HIP-HOP CHANGED THE WORLD, INDEPENDENT LENS: THE BIG PAYBACK, AMERICAN EXPERIENCE: ZORA NEALE HURSTON: CLAIMING A SPACE, THE ROOTS RESIDENCY, AND AMERICAN MASTERS: ROBERTA FLACK.

Chuck D of Public Enemy explores Hip Hop’s political awakening over the last 50 years. With a host of rap stars and cultural commentators he tracks Hip Hop’s socially conscious roots. From The Message to Fight The Power 2020, he examines how Hip Hop has become "the Black CNN."

What does “Está Rico” by Marc Anthony, Will Smith & Bad Bunny have in common with “Made For Now” by Janet Jackson x Daddy Yankee? They both high-jacked AfroBeats and did not give the genre’s origin props. Bakosó is a film that does the opposite, following DJ Jigüe to his hometown of Santiago de Cuba to find inspiration from the new sounds.

Tokyo Hula, explores the phenomenal popularity of hula in Japan from both Native Hawaiian and Japanese perspectives. An estimated two million people dance hula in Japan – a figure greater than the entire population of Hawai‘i. The explosive growth has created a multi-million dollar industry. Through interviews with Hawaiian master hula teachers and Japanese students, the film poses important questions about what happens to culture when it is exported.

Pacific Islands are among the first places to feel the impacts of rising seas, yet few Pacific voices are included in the global conversation about climate change. High Tide, Don’t Hide is about the generation that is changing that. The film follows New Zealand teenagers of diverse backgrounds who learn to work together as they organize a protest that demands action to reduce greenhouse gas emissions.

Isey, a cheeky Ngāti Manu woman living in a small New Zealand town, is about to turn 100, but still goes fishing and swills whiskey. James & Isey is an intimate portrait of the centenarian and her son, a deeply spiritual man who is devoted to his mother. The film explores how the bond between parent and child changes as we age, and bears witness to the power of unwavering love.