Japanese

Relocation Arkansas:
Aftermath of Incarceration

 

In 1942, nearly 120,000 Americans of Japanese ancestry were forced into internment camps, two of which were in Arkansas. This film tells the stories of the interred and their descendants.

 

PBS HAWAI‘I PRESENTS
Keola Beamer: Mālama Ko Aloha (Keep Your Love)

PBS HAWAII PRESENTS: Keola Beamer: Mālama Ko Aloha (Keep Your Love)

 

This program tells the story of Keola Beamer’s journey through song. The respected composer and slack key guitarist partners with an array of musicians, including Native American flutist R. Carlos Nakai, American jazz pianist Geoffrey Keezer and Hawaiian vocalist Raiatea Helm. These collaborations demonstrate how one can retain cultural identity while openly sharing with others to create something new – a global art form. This multicultural exchange reaches its zenith when Beamer performs a Hawaiian-language version of John Lennon’s “Imagine,” with musicians playing traditional Hawaiian, Chinese, Japanese, Australian, Classical European and American Jazz instruments. In another particularly moving segment, Keola accompanies his wife Moanalani Beamer as she performs a hula as a quadriplegic woman who magically regains use of her limbs in a dream.

 

ASIAN AMERICAN LIFE

 

This news magazine series features in-depth reports and stories of the Asian American diaspora for a general audience.

 

Asian American Life is an in-depth news magazine program that addresses topical issues affecting the Asian American communities nationwide and profiles Asian American leaders.

 

THE KITCHEN WISDOM OF CECILIA CHIANG
The Long Walk

THE KITCHEN WISDOM OF CECILIA CHIANG: The Long Walk

 

In 1937, the Japanese invaded China and by 1939 they arrived in Beijing, seizing most of the large family compound and with it, Cecilia’s idyllic and privileged youth. By 1941 there wasn’t enough food for the family so Cecilia and her number five sister (she had nine in total), fled on foot through Japanese occupied territory. They walked more than 1,000 miles and it took almost six months to reach the safety of “Free China.” In this episode, Cecilia joins Laurence Jossel, chef and owner of Nopa. Like Cecilia, South African-born Jossel came a long way to open a restaurant in San Francisco. Cecilia shows Laurence how to make “beggar’s chicken,” a whole, stuffed chicken wrapped in lotus leaves and then clay, and baked for at least two hours. It comes out of the oven with a hard shell that must be smashed with a mallet to open.

 

Arnold Knows Me:
The Tommy Kono Story

 

The late Tommy Kono inspired generations of body builders, including one of the world’s biggest movie stars. This film tells the inspirational story of the most decorated American in the history of weightlifting. A Sacramento, CA native, Tommy won two Olympic gold medals, an Olympic silver medal, and six World Championship titles between 1952 and 1960.

 

Kaneko’s Monumental Risk

 

This documentary explores the life and work of Japanese-American sculptor and artist Jun Kaneko. Kaneko is known for building the largest ceramic art pieces in the world, with some towering more than 13 feet without any interior support. Over the course of his 50-year career, Kaneko has created massive public art installations in plazas, gardens, airports, city parks and convention centers. The film follows Kaneko working around the world in places like San Francisco, Kyoto, New York, Nagoya, Chicago, Puerto Vallarta and his adopted hometown of Omaha. It also looks at the evolution of his work from painting in a realistic style to his abstract sculptures to his risky opera design with the San Francisco Opera’s production of The Magic Flute.

 

The profile culminates with a look at the multi-million dollar creativity center he built in Omaha to encourage people to unleash our risk-taking and creative sides.

 

PBS HAWAI‘I PRESENTS
Canefield Songs: Holehole Bushi

 

In this new film, Professor of Anthropology Christine Yano explains, “If we want to know something of what some of these womenʻs lives were like…we could do no better than to listen to their own words, as expressed through song.” The women that Professor Yano is referring to are Japanese immigrants who worked in Hawai‘i’s sugarcane fields in the late 19th and early 20th centuries. Through their canefield songs, or holehole bushi, these women sang about their joys and sorrows of trying to start life in a new world. Hosted and narrated by ukulele virtuoso Jake Shimabukuro, the film tells the story of music teacher Harry Urata, and his efforts to record, preserve and perpetuate these musical oral histories.

 

Strategy from a Swordfighter

Musashi Miyamoto, right, as depicted by artist Yoshitaki Tsunejiro

 

Musashi Minamoto, right, as depicted by artist Yoshitake Tsunejiro.

 

Leslie Wilcox, President and CEO of PBS HawaiiOne of the greatest swordfighters in history comes to mind as PBS Hawai‘i sets out to draft a new strategic plan to guide us in a rapidly changing media environment.

 

“Do nothing which is of no use,” wrote samurai Musashi Miyamoto, when he wasn’t roaming Japan wielding two swords, facing enemies in the Edo period.

 

Yes, Miyamoto-San, we must decide what skills and habits of mind we need to take with us into the future, in order to serve up great content on the many viewing screens in people’s lives. Folks might want to lean back for an hour-long documentary on a big wall monitor; catch a one-minute clip on their smartphone; or participate in a globally interactive discussion on their tablet. In fact, it’s already become common for people to use two digital devices at the same time to access content.

 

“Perception is strong and sight weak. In strategy, it is important to see distant things as if they were close and to take a distanced view of close things.” So true, Minamoto-San, as we clear the bias of the present moment and attempt to see with clarity how we and fellow Islanders will want to use media and storytelling in the years ahead. Our organization used to peer ahead five years; now, even trying to pin down the next three years in this industry seems foolhardy.

 

In meetings held so far, our Board of Directors, Staff and stakeholders agree that PBS Hawai‘i must create a far-reaching system of touch points for people to encounter our programming. We’ll go where people are, rather than wait for them on a television monitor. We’ll continue to broadcast. However, many more people will want to engage in content online, selecting what they want to see when they want to see it. We want that, too.

 

First and foremost, we’re storytellers. We can and will adapt, to meet the need for quality stories and interactivity in different ways on different digital devices.

 

“Fixation is the way to death. Fluidity is the way to life,” wrote Miyamoto, who was known for anticipating an opponent’s moves and unleashing unexpected moves to bring victory.

 

However, the future isn’t all about fluidity and change. Like many of our viewers, we intend to hold onto our mindsets of curiosity, discovery, resilience, fairness; our belief in exposure to diverse viewpoints and civil discourse; and the value of universal access to education and reliable information.

 

When our Board of Directors adopts a new strategic plan at mid-year, we’ll share the plan with you and count on your feedback as we evolve. As Miyamoto-San said, “It may seem difficult at first, but everything is difficult at first.”

 

At least we don’t run the risk of sword injuries! We do stand a fighting chance of creating richer and more versatile viewing experiences for you.

 

Aloha a hui hou,
Leslie signature

 

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