federal

AMERICAN EXPERIENCE
Bonnie & Clyde

 

Discover the true story of the most famous outlaw couple in US history. Though their exploits were romanticized, the Barrow gang was believed responsible for robberies, kidnappings and at least 13 murders, including two policemen.

 

PBS HAWAI‘I PRESENTS
Under a Jarvis Moon

 

This film tells the story of 130 young men from Hawaii who, from the late 1930s through the early years of World War II, were part of a clandestine mission by the U.S. federal government to occupy desert islands in the middle of the Pacific. The first wave of these colonists was a group of Hawaiian high school students, chosen because government officials assumed Pacific Islanders could best survive the harsh conditions present on the tiny, isolated islands. For the young men, who were unaware of the true purpose of their role as colonists, what ensued is a tale of intrigue, courage, and ultimately, tragedy.

 

It Just Doesn’t Add Up – Federal De-Funding of Public Media

Special Message


Kent K. Tsukamoto, Treasurer, PBS Hawai‘iI’m a numbers guy. It’s my job.

 

As a longtime CPA and as managing partner of one of Hawai‘i’s largest locally owned financial services companies, I know that numbers tell stories, too.

 

So, with the White House handing Congress a proposed federal budget that would de-fund the nonprofit Corporation for Public Broadcasting, I took a closer look at the numbers in the current federal investment.

 

$1.35. That’s the cost of public broadcasting per citizen per year – less than the price of a manapua.

 

For years now, Republicans and Democrats have vigorously argued and then come together in a bipartisan investment to give public media $445 million a year, with most of the money going directly to support free, noncommercial, locally run PBS television stations and NPR radio stations across the country.

 

$445 million is 1/100th of 1 percent of the nation’s budget, amounting to $1.35 per citizen per year. The national PBS folks point out that’s less than a cup of coŸffee. Here, we like to say: That’s less than the price of a manapua – and a small manapua at that.

 

Most years for PBS Hawai‘i, our part of the national funding amounts to 15 percent, or about $1 million, of our annual revenues. We use the federal investment as seed money to attract contributions from the private sector – “viewers like you.” Individuals, businesses and charitable foundations pitch in. It’s these private gifts and grants, fanned by the spark of federal funding, that provide the bulk of our statewide programming and outreach.

 

Among the oŸfferings that the federal investment helps us acquire: curriculum-based PBS KIDS programming that boosts our children’s learning; the science show NOVA; the investigative program Frontline; and performing arts on Great Performances. The federal funding also helps to create shows like Na Mele, the only weekly television show featuring traditional Hawaiian music; and Insights on PBS Hawai‘i, the only live hour-long interactive public affairs show on weekly statewide television.

 

As a lean local nonprofit that’s able to leverage the federal money and also scale our services by sharing program costs nationally in public media, PBS Hawai‘i has a track record of delivering quality shows at very reasonable costs.

 

To guard against political interference in program content, Congress has provided two-year “forward funding” as a firewall. All of this computes to a successful public-private partnership.

 

As Neil Shapiro, who heads WNET in New York, observed: “It’s not like cutting this would have any appreciable effect on any taxpayer across the country, but losing PBS would.”

 

In my view, this is especially true when it comes to the value of PBS’ in-depth news coverage, arts and culture, a safe haven for keiki and a trusted place to air diffŸering perspectives on local issues.

 

It’s a privilege to volunteer my time as Treasurer of PBS Hawai‘i’s Board of Directors – because I want to support a community treasure that is efficient and collaborative in costs, while providing a significant multiple in the value returned to the people of Hawai‘i.

 

I see how the federal investment enriches the people of Hawai‘i and keeps our stories alive, our music playing and our home a better, safer place. The numbers tell the story.

 

If you’d like to help support public media organizations like PBS Hawai‘i:

  1. Contact your Hawai‘i Congressional delegates.
  2. Go to ProtectMyPublicMedia.org and sign a petition.
  3. Continue to pitch in with your private dollars as you can.

Thank you

 

A Threat to Public Broadcasting’s “Spark”

Protect My Public Media

If you’d like to help support public media organizations like PBS Hawai‘i:

  1. Contact your Hawai‘i Congressional delegates.
  2. Go to ProtectMyPublicMedia.org and sign a petition.
  3. Continue to pitch in with your private dollars as you can.

Thank you


Leslie Wilcox, President and CEO of PBS HawaiiAt first, when Ronald Reagan launched his Presidency in 1981, he didn’t like the idea of federal monies going to fund PBS and NPR stations across the country.

 

Then he saw how public-service media stations leveraged a relatively small amount of federal funding to gain private donations. One federal dollar might turn into, say, eight dollars, with citizens, businesses and charitable foundations adding the weight of their support.

 

“Government should provide the spark and the private sector should do the rest,” President Reagan said.

 

We at PBS Hawai‘i believe this is a good public-private partnership, centered on education, public safety and civic leadership. Last year, 9.5 percent of our revenues came from the federal investment.

 

Now comes the Trump Administration, signaling its intention to “privatize” – meaning de-fund – the Corporation for Public Broadcasting, the private nonprofit that distributes funds to public media stations. Other Administration targets are the National Endowment for the Arts and the National Endowment for the Humanities.

 

As I write this, two weeks before publication, I’m getting ready to go to Washington, D.C. for a national public media summit, at which attendees will seek to determine President Trump’s plans. Is he really going to wage a battle against federal seed money for public broadcasting?

 

The public broadcasting community says the notion of eliminating the federal funding in its mission is “nothing new.” It points out that similar ideas have been “soundly rejected on a bipartisan basis.”

 

According to the industry publication Current, the chair of a key House Appropriations subcommittee, Rep. Tom Cole (R-Okla.), predicts that such a move would fail because “there is a strong constituency for public broadcasting in both the House and Senate.”

 

Indeed, strong bipartisan support usually results in an appropriation of about $1.35 per year per American. Still, leaders of public broadcasting say they must take funding threats seriously. They’re asking to talk with Administration officials, and station general managers from all over the country are taking their case to Capitol Hill.

 

PBS Hawai‘i’s Board of Directors already has written to Hawai‘i’s Congressional delegates.

 

However, America’s Public Television Stations (APTS) isn’t calling out and mobilizing citizens at this time. Without a fleshed-out proposal from the Trump Administration, leaders are monitoring the situation closely. We are urging viewers to register your support at protectmypublicmedia.org.

 

Aloha a hui hou,
Leslie signature

 

AMERICAN EXPERIENCE
Ruby Ridge

 

Through eyewitness accounts from Randy Weaver’s daughter and federal agents and others involved in the deadly confrontation, examine the 1992 FBI siege at Ruby Ridge near Naples, Idaho that helped launch the modern militia movement.

 

PBS Democratic Presidential Debate

PBS Democratic Presidential Debate

 

Live from Milwaukee, Wisconsin, PBS NEWSHOUR co-anchors and managing editors Gwen Ifill and Judy Woodruff will moderate the DNC-sanctioned debate, the first Democratic presidential debate following the Iowa caucuses and New Hampshire primary.

 

Navy Seals:
Their Untold Story

 

This program recounts the ticking-clock missions of the “commandoes of the deep” through firsthand accounts – including that of a D-Day demolition team member – and through never-before-seen footage, home movies and personal mementoes.  Admirals, master chiefs, clandestine operators, demolitioners and snipers reveal how U.S. Navy SEALs morphed into the world’s most admired commandoes.

 

INDEPENDENT LENS
Limited Partnership

 

This film chronicles the 40-year love story between Filipino American Richard Adams and his Australian husband, Tony Sullivan. In 1975, thanks to a courageous county clerk in Boulder, Colorado, Richard and Tony were one of the first same sex couples to be legally married in the world. Richard immediately filed for a green card for Tony based on their marriage. But unlike most heterosexual married couples who easily obtain legal status for their spouses, Richard received a denial letter from the Immigration and Naturalization Service stating, “You have failed to establish that a bona fide marital relationship can exist between two faggots.” Outraged at the tone, tenor and politics of the letter, and to prevent Tony’s impending deportation, the couple decided to sue the U.S. government, initiating the first federal lawsuit seeking equal treatment for a same sex marriage in U.S. history.

 

During a lifetime filled with health issues, money woes and legal challenges, Richard and Tony never wavered in their love, lost their senses of humor, or gave up their quest for justice. Their personal trajectory parallels the history of the LGBT marriage and immigration equality movements, from their 1971 meeting at an L.A. gay bar called “The Closet,” to the 1975 signing of their marriage license in Colorado, through the era of AIDS, to the historic U.S. Supreme Court rulings on gay marriage in June 2013.

 

INSIGHTS ON PBS HAWAI‘I
Does Fine Arts Education Have a Place in Hawai‘i’s Public Schools?

 

Federal and state mandates have compelled public schools to focus more time and resources on academic standards and less on the fine arts. Are we shortchanging students by not giving them an outlet for creative expression? Has fine arts education fallen by the wayside with the push to excel in critical thinking in Hawai‘i’s public schools?